O Último Azul with Gabriel Mascaro and Lily Mariye (Ep. 552)
Director Gabriel Mascaro discusses his new film, O Último Azul, with fellow Director Lily Mariye in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses crafting a dystopian future that speculates on change in societal practices over technological advancement, finding real-life inspiration for the film in his grandparents’ life, and the rigorous attention to detail that went into the film’s sound design.
The film tells the story of 77-year-old Tereza, who has lived her whole life in a small industrial town in Brazil. When she receives an official government order to relocate to a senior housing colony, Tereza decides to take a journey that will fulfill one last wish before her freedom is taken away.
See photos and a summary of this event below:
https://www.dga.org/events/2025/august2025/gcs_o-ultimo-azul_0625
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On Swift Horses with Daniel Minahan and Mary Harron (Ep. 547)
Director Daniel Minahan discusses his new film, On Swift Horses, with fellow Director Mary Harron in a Q&A at the DGA theater in New York. In the conversation, he discusses establishing the 1950s time period while avoiding tropes from other films set in the 50s, utilizing gambling as a metaphor for queerness within the film’s language, and the choreography and rehearsal that went into creating the intimacy scenes.
The film tells the story of Muriel and Lee, who leave their Kansas home to start a family and a new life in San Diego. But their plans are upended by the arrival of Lee’s brother Julius, a wayward gambler with a secret past who draws Muriel down a new and dangerous path.
See photos and a summary of this event below:
https://www.dga.org/events/2025/june2025/onswifthorses_qna_0525
Brought to you by the Directors Guild of America, ”The Director’s Cut” will bring you the behind-the-scenes stories of today’s most talked about films. Each episode features a different director interviewed by one of their peers, leading to revealing conversations about the grueling, but rewarding process of bringing their films to life.
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