The Run-Through with Vogue

Fresh off a flight from LA, Vogue’s cover star, Amanda Seyfried is back in New York and on The Run Through to talk about award season!“I will say my favorite part … was being at the A24 party at the Chateau,” says Seyfried reflecting on the Golden Globes that happened Sunday evening.  “I was just on the couch with a bunch of people that I like and don't ever see except at award shows.” Seyfried says she was surprised when a conversation in the Golden Globes ballroom with Jennifer Lawrence was picked up by cameras. “There are still moments when I forget that people are watching it,” says Seyfried. “It was a little bit unnerving when I saw that because I just believed, I guess, stupidly that it was a private conversation.” Seyfried was a two-time nominee at the ceremony for her roles in the Testament on Ann Lee and the television series Long Bright River. With award season in full swing, she’s been working closely with her stylist Elizabeth Stewart to make sure she is red carpet ready. “We've been wearing a lot of Prada and we decided to wear a Versace [to the Golden Globes], which is always trusted and beautiful and classic as well. Away from Hollywood, Seyfried’s wardrobe is much more casual as she cares for 52 animals on her farm upstate. “I'll wear the big tall muck boots,” says Seyfried. “The ones you can't drive a car in 'cause your foot can't reach the pedal.” Her animals include peacocks, chickens, goats, horses, donkeys and a new rescue rabbit named Bugsy that is a bit stand-offish. “He could be 37 years-old.” says Seyfried. “ I have absolutely no idea. He's got a droopy wet eye. But he's very nice it seems.”  In The Testament of Ann Lee directed by Mona Fastvold, Seyfried plays the titular character who is credited with creating the Shaker religious community in the mid-18th century. “The Shakers worshiped through song and dance,” says Seyfried on the challenge of undertaking the role as their leader.“The singing had to be second nature.” says Seyfried on her performance. “But with singing, I've always been judging myself as I've been doing it. Even in Les Mis, I wasn't present the way I was. So I had to let go of that very early on. And the key to that was she's human and I need to feel it. It's not about how it sounds. It's about how it feels. And I need the audience to become a Shaker for two and a half hours.”While promoting the film, Seyfried’s 8 year-old daughter Nina was introduced to one of her mother’s earlier roles in the cult classic Mean Girls. “She said that she didn't think it was that funny,” recalls Seyfried. “but she really loved my role. That was Nina's critique of Mean Girls at age eight.”The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

The time has come for The Run-Through’s annual Golden Globes recap—and let’s just say, this one delivered. Not only did friend of the podcast Nikki Glaser return to the stage as the hostess with the mostest (with jokes Vogue deputy editor Taylor Antrim couldn’t get enough of), but we were also treated to a truly cheeky look from Teyana Taylor (Vogue predicts: the Year of the Buttcrack is officially here) and a standout awards-season red carpet debut from two of the most talked-about boys of the moment, Hudson Williams and Connor Storrie of Heated Rivalry.Reporting early to share highlights from the night, Chloe, Chioma, deputy editor Taylor Antrim, and senior fashion and style writer Christian Allaire broke down the looks that won the evening. Bright colors emerged as a surprising trend, with Wunmi Mosaku’s bold yellow look—paired with a pregnancy reveal—standing out as a major highlight. Other memorable moments included Odessa A’zion in self-styled archival Dolce & Gabbana, Tessa Thompson in Balenciaga (serving real mermaid vibes, according to Chloe), and Colman Domingo in Valentino, complete with an abundance of brooches.The group wrapped up by sharing their favorite wins of the night, with unanimous agreement that One Battle After Another is likely to be a frontrunner heading into the Oscars—and that Timothée Chalamet is a shoo-in for Best Actor. Plus, Chloe makes the case for why Zootopia 2 deserved a little more love. The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

For someone who’s done a lot of horror movies, Rebecca Hall admits she’s a bit squeamish. That, however, didn’t stop her from taking on a role in the newest body horror series, The Beauty, which is set to premiere January 21st on FX.Rebecca first learned of the series when she grabbed breakfast at Buvette in the West Village with Ryan Murphy (who created the show Matthew Hodgson) who enticed her with three things: a fun premise (an STD that makes you so hot that you explode, sign Rebecca up!), great clothes (The Row to be specific, and who could say no to that?) plus a list of fabulous filming locations: Rome, Paris, and Venice all making the list.“He [Ryan] was very open to me. One of the joys for me of this job was that not many people asked me to just be myself for a character.” Rebecca told Senior Features Editor Marley Marius and Fashion Writer Hannah Jackson on Wednesday afternoon. This openness and collaborative spirit Ryan gives to his actors is what enticed Rebecca about working with him again on his series Monster, where she will play Lizzie Borden in which she called “entering her villain era” which was a lot of fun for her.When Rebecca is not on the job, she finds great joy in painting (many of her works have been either sold or exhibited), watching The Real Housewives of Salt Lake City (for which her husband is getting around to understanding), and dressing up in “crazy outfits” in her day-to-day quiet upstate life.Earlier in the episode, Chioma fills Chloe in about the behind-the-scenes of the new fabulous British Vogue cover with Jessie Buckley. They also chat what they are looking forward to about awards season and give a farewell to Will Welch who announced he is departing from GQ earlier this week. Learn about your ad choices: dovetail.prx.org/ad-choices

HBO’s Industry is back this week and we couldn’t be more excited! Myha’la Herrold joins senior editor Marley Marius and fashion writer Hannah Jackson on Vogue’s podcast to bring us up to speed on what her character Harper Stern is in for in season four. “The end of season three is very much her being like, “I'm gonna be my own boss.” This is the time when she truly breaks away,” says Myha’la. Each season of the show, Myha’la works with the showrunners Konrad Kay and Mickey Down to use Harper’s hair to tell a story of where the character  is at in her life and this season is no different. “She's at the top of her game and she's going harder than she's ever gone before. And I was like, well obviously it's gotta be the micro braids with the human hair,” says Myhala on her season four look. "It's gotta be the most expensive, probably the most high maintenance, the most difficult thing and the most elevated version of Harper.”  Great care went into creating Harper’s wardrobe this season as Costume Designer Laura K. Smith created a power suit to set the tone for the character.  “We always trade boards like I was sending her pictures of Celine and YSL," reflects Myha’la.“That first shot that we see Harper is in a gray three-piece suit. It is a custom designed and custom made suit by Laura for Harper,” says Myha’la. “[Laura] was like, I want this to be like the hero piece for her closet and for her to be able to mix and match.”Myha’la takes a trip down memory lane and talks about fronting a Christian rock-band in high school and talks about her love of musicals and her dream role of playing Elle Woods in Legally Blonde on Broadway. “I'm manifesting.” says Myha’la. “I sing everything but my favorite genre is definitely musical theater. If anyone is looking for a five foot one, available, black baddie who lives in New York, cast me!” Learn about your ad choices: dovetail.prx.org/ad-choices

Millie Bobby Brown is in a moment of transition. After nearly a decade of playing Eleven on Netflix’s hit series Stranger Things, that chapter of her life is coming to a close. Now, she’s turning her focus to simpler joys: caring for the twenty-five farm animals on her Georgia property and settling into motherhood with her baby girl, whom she recently adopted with her husband, Jake Bongiovi.“I will never live in L.A. It just isn’t for me,” Brown told Chioma a few weeks ahead of the Stranger Things finale, premiering December 31 and set to screen in select theaters. “If I can do anything for my daughter, it will be to give her a home base.” It’s a sense of stability the actress says she lacked growing up, having moved frequently as a child before eventually relocating to Atlanta to film the series.Beyond reflecting on family life, Brown also opens up about the friendship she’s been building with singer Raye, who also appeared on the cover of British Vogue in 2025 and performed at her wedding. She also discusses navigating criticism, her evolving relationship with her hair, and the emotional moment when her Stranger Things co-star Noah Schnapp met her baby for the first time.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices