The A24 Podcast

Topics covered include: Deep collaboration, early drafts of Mother Mary, being quick to discard dialogue, finding inspiration in the Faroe Islands, Anne's fear of making the easy choice, the qualities of being a Texas gentleman, the touchstone records that the cast listened to on set from Ke$ha to St. Vincent, Anne’s intensive pre-production process, David offering a special live reading from the Mother Mary script, dance as a monologue, feeling truly transformed as a person after completing the film, bleeding hearts, and praise for Nick Cave.

Topics covered include: Kane's parents keeping him off the internet until age eight, pirating way too much software, the origin of the Backrooms, the purgatories we build for ourselves, meeting your heroes after early virality, building 30,000 sq. ft. of sets on a soundstage, Kane accidentally calling his film a "product" and immediately wanting to flee to the woods, shotlisting an entire feature in Blender, renting out a Vancouver theater to watch 2001: A Space Odyssey during prep, James Wan's hopeful advice for young filmmakers, Renate's spiritual curiosity, control variables, and bringing the family together for the theatrical premiere of Backrooms.

Topics covered include:
NPR podcast voice, evangelical upbringings, Beef creator Lee Sung Jin's incredible observations of things that are both really painful and really funny, little mullets, Ali's love of Ex Machina, parallel play, the impressive amount of bodily fluids in Beef, Oscar first meeting Carey Mulligan on set of Drive, getting to play really bad people, going down a YouTube rabbit hole to learn how people respond to psychedelic toad venom, the intricacies of staging a masturbation scene, Ali competing for roles with Stanley Tucci, and Sonny’s trick of taking you to Korea so you have nobody to complain to.

Topics covered include:
Aidan first becoming aware of Charli, early demos of “I Love It,” Scandi accents, the whelks at Caroline Polachek’s birthday, silliness as high art, imposing structure, growing up on Tumblr, voyeurism, Aidan’s work with Timothée on the Marty Supreme campaign, a general sense of FOMO, teapot necklaces, Aidan’s mom’s notes on the “Guess” music video, not wanting to present yourself as an entrepreneur, embracing embarrassment, Charli’s early tracks like “Dinosaur Sex” and “I Wanna Be Darth Vader,” being a tiny bit hungover, and a brief round of the Cauldron Game.

Topics covered include:
Voice memos as audio documentaries, the difficulty of keeping things small, Sean seeing Marty Supreme three times in theaters, maximalist territory, swimming in bigger lakes, moviemaking as time travel, Jack Fisk set stories, directors’ knee health, Jennifer Venditti’s wildly original casting process, feeling afraid of the script, Sean perfectly timing his edible intake at the Oscars, Darius Khondji as the “Prince of Darkness,” hunting down period accurate Cinemascope lenses, Ronnie Bronstein’s love of Shark Tank, and Marty Supreme’s epic alternate ending.