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Beginners’ Call

Brisbane Festival
Beginners’ Call
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  • Beginners’ Call – Episode 10: Paul Taylor Brisbane Festival Giving Committee
    “To me, the arts community really is the soul of a community… We love the idea of contributing to the arts community and contributing to the soul of Brisbane.” Paul Taylor is the Head of Investments at global funds manager Fidelity International and a member of Brisbane Festival’s Giving Committee.  His family’s patronage and passion for the arts runs deep, and they are motivated to support local artists to produce new works and assist Brisbane Festival to deliver significant works developed elsewhere – giving the people of Brisbane the opportunity to experience artistic works they may not see otherwise.  In this podcast, Paul discusses Australia’s unique culture of philanthropy, his personal ‘why’ for giving, and the reasons that Brisbane Festival is a sure-fire bet for an investor. “It’s about participation. Everything makes a difference. You don’t have to donate thousands of dollars - a donation of $100 is a great way to make a contribution.”Brisbane Festival returns to fill the city with three weeks of wonder, delight and celebration from 2 – 24 September 2022. For information and tickets, visit brisbanefestival.com.au Beginners’ Call records on Turrbal and Yugerra country in Meanjin, Brisbane. Brisbane Festival recognises the integral role Aboriginal and Torres Strait Islander peoples play in our creative, artistic and celebration spaces and pays respect to Elders past, present and emerging.Podcast Curator: Louise Bezzina (Brisbane Festival)Podcast Guests: Paul Taylor (Brisbane Festival Giving Committee)Podcast Host: Adam Brunes (Aruga) Podcast Producer: Gilberto Castillo (The Podcast Boss) 
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  • Beginners’ Call – Episode 9: Neridah Waters, Co-Founder Amanda Dell and Bryony Walters, Dancers Common People Dance Eisteddfod
    “There’s something really transcendent about dancing so badly that you break through that shell of having to take yourself seriously and you can just exist in your body in this really beautiful, joyful way.”Whether you’re a Rock Eisteddfod reject or a retired dancer, there is joy and exhilaration to be found in unencumbered shimmying and shaking.The all-ages, all-abilities Common People Dance Eisteddfod brings the moves, the laughs and the ‘80s and ‘90s bangers when the leotard-clad juggernaut returns to Brisbane Festival for its fourth blockbuster year.“Common People Dance Eisteddfod’s main point of difference to a normal eisteddfod is the teams can cheat, they can bribe the judges, they can also sabotage the other teams.”An antidote to the ‘No Lights, No Lycra’ dance movement, Common People Dance Eisteddfod is an exercise in brash dance moves, bold costumes, big performances and body positivity.In this episode, Common People Dance Project co-founder, choreographer and theatre maker Neridah Waters is joined by dance devotees and sequinned warriors, Amanda Dell and Bryony Walters.They speak with humour and heart about the power of the dance project to boost body confidence, self-expression and personal empowerment and how making a conscious decision to be brave and try something new can prove life-changing.“I have seen people’s attitudes to their bodies change, I have seen what they wear in everyday life change because they are just proud of themselves and they are like, ‘look at me, I’m amazing’.”On the eve of yet another over-the-top dance battle between amateur hot-steppers from the North, South, East and West of Brisbane and the Sunshine Coast, the trio body roll and fist-pump their way through competition tactics, dirty tricks and the optimum ratio of props per dancer (spoiler alert: it’s three).“As adults, we forget to play and have fun. In Australia, in dance and sport, you’re told by some teacher at some point you don’t have the right physique or the right body to be a dancer or a cricket player and it really crushes that teenager at that point and they never do it again in their life.”Brisbane Festival returns to fill the city with three weeks of wonder, delight and celebration from 2 – 24 September 2022. For information and tickets, visit brisbanefestival.com.au Beginners’ Call records on Turrbal and Yugerra country in Meanjin, Brisbane. Brisbane Festival recognises the integral role Aboriginal and Torres Strait Islander peoples play in our creative, artistic and celebration spaces and pays respect to Elders past, present and emerging.Podcast Curator: Louise Bezzina (Brisbane Festival)Podcast Guests: Neridah Waters, Amanda Dell and Bryony Walters (Common People Dance Eisteddfod)Podcast Host: Adam Brunes (Aruga) Podcast Producer: Gilberto Castillo (The Podcast Boss) 
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  • Beginners’ Call – Episode 8: Ella Ganza, Director; Joshua Taliani, Director of Choreography - House of Alexander
    “(Ballroom) came off the blood, sweat and tears of trans women of colour and has survived and thrived throughout the years.” The House of Alexander is limbering up to dance, dazzle and draw on a 60-yearlegacy of queer black ballroom communities across two huge productions at Brisbane Festival. Injecting sparkle and substance into the 2022 program, Meanjin's trailblazing ballroom house celebrates self-expression, identity and family as it showcases the city’s thriving ballroom scene. “Ballroom was that one space where we could help young trans women gain confidence to even just walk out the door, something as simple as that.” The world premiere of The House at South Bank Piazza weaves the cultures of 26 Black, Indigenous and People of Colour (BIPOC) artists with the highly stylised art form of voguing. Then, The House of Alexander closes out the Festival in glamorous style when The Alexander Ball returns to The Tivoli for a night of extravagance, fierce competition and jaw-dropping runways.  “We are talking as loud as possible and walking as proud as possible because there are communities that heavily rely on us.” In this episode, House of Alexander “mother and father” Ella Ganza and Joshua Taliani share their motivation for founding the House in 2019 to create a family for Meanjin’s queer BIPOC community. They draw parallels between ballroom’s underground roots in Harlem, New York and the new culture the movement is creating locally; the sense of responsibility they feel to empower and nurture their young, queer BIPOC “children”; and how ballroom is bringing greater visibility to “the minority of the minorities”. “It’s about opportunities and representation, that’s the big part. In order for our community to be uplifted, we need to see ourselves reflected.” Brisbane Festival returns to fill the city with three weeks of wonder, delight and celebration from 2 – 24 September 2022. For information and tickets, visit brisbanefestival.com.au Beginners’ Call records on Turrbal and Yugerra country in Meanjin, Brisbane. Brisbane Festival recognises the integral role Aboriginal and Torres Strait Islander peoples play in our creative, artistic and celebration spaces and pays respect to Elders past, present and emerging. Podcast Curator: Louise Bezzina (Brisbane Festival)Podcast Guests: Ella Ganza and Joshua Taliani (The House, The Alexander Ball)Podcast Host: Adam Brunes (Aruga) Podcast Producer: Gilberto Castillo (The Podcast Boss)  
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  • Beginners’ Call – Episode 7: Kyle Page, Dancenorth Australia Artistic Director Wayfinder
    “The thing that brought us all together was the art. Wayfinder, true to its name, really enabled us all to find a way through.”Amid the chaos and calamity of the past few years sprung a reminder of the beautiful possibility of art to heal.Wayfinder, the world premiere work by acclaimed Australian contemporary dance company Dancenorth, delivers an antidote to the fear and anxiety permeating all corners of the globe in the wake of the global pandemic.The North Queensland company’s adventurous and genre-bending work is a colourful celebration of heart, humanity and… knitting.“We wanted to remind people of the beautiful aspects of the body. When we stop thinking and we start feeling, truly wonderful things occur.”In this episode, Dancenorth Artistic Director Kyle Page dissects how the physicality and technical prowess of the company’s dancers are pushed to the limit.He reveals the inspiration behind Wayfinder’s innovative inflatable stage and how it creates a platform where fear is minimised and the dancers can lean into their senses of adventure, virtuosity and potentiality. Wayfinder is the collaborative result of an all-star creative team including Japanese-Australian visual artist Hiromi Tango, three-time Grammy nominated Australian band Hiatus Kaiyote and sound artist Byron J. Scullin. Embracing its Townsville roots, Kyle shares how Dancenorth’s community was integral to realising Hiromi Tango’s artistic vision, helping finger-knit 65km of wool into a colourful, textural and critical performance element. “Every individual set of hands that touches and connects with that wool, they’re weaving their own stories, their weaving their own hearts into the project, into the work.” Brisbane Festival returns to fill the city with three weeks of wonder, delight and celebration from 2 – 24 September 2022. For information and tickets, visit brisbanefestival.com.au Beginners’ Call records on Turrbal and Yugerra country in Meanjin, Brisbane. Brisbane Festival recognises the integral role Aboriginal and Torres Strait Islander peoples play in our creative, artistic and celebration spaces and pays respect to Elders past, present and emerging. Podcast Curator: Louise Bezzina (Brisbane Festival)Podcast Guest: Kyle Page (Wayfinder)Podcast Host: Adam Brunes (Aruga) Podcast Producer: Gilberto Castillo (The Podcast Boss)
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  • Beginners’ Call – Episode 6: Andrea James, Writer & Director Sunshine Super Girl
    “My dad grew up on a dirt-floor shack, and why didn’t he become a number-one tennis player?” Before Ash Barty lifted the trophy at Wimbledon, there was Evonne Goolagong. As a young, self-confessed ‘tennis geek’, theatre maker Andrea James remembers being captivated by Wiradjuri tennis legend Evonne Goolagong, the greatest Aboriginal tennis player that Australia has ever produced.  “I remember very strongly as a young Aboriginal girl growing up in regional Victoria the sight of this Aboriginal woman on the screen… I had never seen that before.” Andrea had long been fond of Evonne but when her now-husband gifted her a copy of Goolagong’s autobiography during courting, her tennis obsession became an Evonne-obsession. “I could not put the book down… I just thought, ‘Why hasn’t this story been told in this way before?’” Andrea’s powerful new work, Sunshine Super Girl, is a celebration of spirit and passion over adversity and a tribute to a woman whose sporting prowess continues to inspire a nation. In this episode, Andrea reveals a shared ancestral link with the seven-time grand slam winner, why it was critical to receive Evonne’s blessing in the making of this landmark play, and the challenge of recreating global tennis tournaments for the stage. Brisbane Festival returns to fill the city with three weeks of wonder, delight and celebration from 2 – 24 September 2022. For information and tickets, visit brisbanefestival.com.au Beginners’ Call records on Turrbal and Yugerra country in Meanjin, Brisbane. Brisbane Festival recognises the integral role Aboriginal and Torres Strait Islander peoples play in our creative, artistic and celebration spaces and pays respect to Elders past, present and emerging.Podcast Curator: Louise Bezzina (Brisbane Festival)Podcast Guest: Andrea James (Sunshine Super Girl) Podcast Host: Adam Brunes (Aruga) Podcast Producer: Gilberto Castillo (The Podcast Boss) 
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Su Beginners’ Call

Beginners’ Call takes audiences backstage and behind-the-scenes of Brisbane Festival, Queensland’s largest and much-loved celebration of arts and culture. Meet the makers and hear from the artists; discover and critique new work; slip into the rehearsal room and stand in the wings as we give audiences unprecedented access to Queensland’s most anticipated event of the year. Beginners’ Call shares the stories of actors and musicians, reveals the inspiration that drives creators and producers and explores the breadth and diversity of the 2022 Brisbane Festival program. Quiet on set, the show’s about to start…
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