New Books in Film

In Hollywood today, thousands of data specialists work for streaming video platforms, playing a role not just in distribution and marketing but also in decisions about content and production. In Data-Driven Hollywood: The New Data Professionals in the Age of Streaming (Princeton UP, 2026), Violaine Roussel examines the emergence of this new category of professionals at the heart of the Hollywood dream factory. Roussel shows how the rise of data and algorithm specialists has transformed organizations and rearranged power relationships within them. Drawing on extensive interviews and in situ observations, she describes the ways that technical “data work” carried out by professionals at streaming platforms including Netflix, Amazon Prime Video, and Disney+ has had a significant effect on creative decisions.Rather than fetishizing data and algorithmic models, Roussel explores the practices of the professionals who shape them, manipulate them, and give them power. She examines the relationships of these workers with traditional producers, describing legitimacy struggles and the eventual stabilization of new professional arrangements. Roussel’s account of the ways that data specialists deploy algorithmic models to reinvent their industry’s approach to content, artists, and the market—the first in-depth sociological study of the rise of this new profession—reveals the new forms of power and knowledge at play in today’s Hollywood.
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Stephen Lee Naish's Point Break: Movies Minute by Minute (Bloomsbury,
2026), in Bloomsbury's Timecodes Series, is a detailed,
minute-by-minute critical exploration of Kathryn Bigelow's 1991 action
film "Point Break". Moving sequentially through the film's two-hour
runtime, the book blends formal analysis, cultural history and theory,
action genre study, and personal reflection and interpretation. It
positions Point Break as both a quintessential action spectacle and a
film layered with thematic tensions: masculinity, spirituality,
individual risk, personal freedom, environmental awareness, and the
search for one's identity. Each minute of the film is treated as a
self-contained unit. The cinematography, editing, sound design,
performances, and narrative beats are discussed in relation to broader
social contexts including surfing subculture, mid-to-late-20th-century
American politics, post-Vietnam War attitudes, and the evolving media
images of Keanu Reeves and Patrick Swayze. Drawing on a wide array of
sources, such as film theory, cultural criticism, and surf memoirs, the
book reframes "Point Break" as not merely an adrenaline-driven thriller,
but as a work rich in symbolism, mythology, homoerotic desires, and
philosophical inquiry. This approach reveals how Bigelow crafts a
kinetic, expressive cinema where bodies, landscapes, and motion collide,
and how the film's characters operate within intersecting personal,
cultural, and ideological currents. The result is a hybrid of
scholarship and creative writing that reanimates the film by slowing it
down, revealing layers of meaning often obscured by its velocity.
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Have you ever swapped stories on a porch with Amish snowbirds in Florida? Searched for reindeer with the Siberian Yupik in Alaska? Been a guest on a houseboat deep in the Louisiana bayou? Peter Santenello hadn't either, until after years spent traveling through eighty-five countries and living abroad, he realized the most unfamiliar territory was often his own American backyard. And so, with a camera in hand and an open mind, he began visiting communities across the country that most media overlooks or misrepresents, from tiny towns in Appalachia to the streets of East LA. What began as curiosity became--one story at a time--an intimate, revealing portrait of America today. From road trips and chance encounters to dinners shared in locals' homes, Your Fellow Americans: Dispatches from Across the Country We Call Home (Simon and Schuster, 2026) captures what makes this country so dynamic, so resilient, and most of all, so very human. Because what Peter discovered on his travels wasn't a nation torn in two. He found something more complex and more powerful: people who want to be seen, who are willing to listen, and who still believe we're more alike than we are different.

Peter Santenello is an independent journalist and filmmaker with over four million subscribers on YouTube.

Caleb Zakarin is CEO and Publisher of the New Books Network.
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A comedy of frustration and a look at how the media takes and then takes back one’s fifteen minutes of fame, Dog Day Afternoon (1975) is on of Sidney Lumet’s best films with one of Al Pacino’s best performances. Sonny wants to be Lee Marvin but acts more like Don Knotts; he wants to be a folk hero, but becomes more like a meme; he has a romance with the media and finds that his mistress is fickle. Sonny is the kind of person who accidentally appears in a viral video, comes to enjoy the renown, but then learns that his hour upon the stage is signifying nothing.

Bumper music: Bumper music by John Deley.

Interested in the real events that inspired the film and how the film was made? Read Rachel Walther’s Born to Lose: The Misfits Who Made Dog Day Afternoon.

Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Mike Takla is on substack at The Grumbler’s Almanac.
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It is impossible to talk about the City of Angels without talking about its movie business. The history of American cinema is so intertwined with Los Angeles that the term “Hollywood” is used interchangeably with “American film” worldwide. From the early 20th-century migration of film pioneers from the East Coast to the emergence of local subcultures and global genres, John Trafton traces how the city has been imagined by insiders and outsiders alike in Los Angeles and Film: A Cultural History of 20th-Century Hollywood (Bloomsbury, 2026). Key case studies include the L.A. Rebellion School, disaster cinema, and the intersections of independent cinema with the music scene and VHS culture. The book culminates in an exploration of Los Angeles neorealist cinema—a form that centers marginalized voices and challenges the myth of Hollywood glamour.
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