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New Books in Film

Marshall Poe
New Books in Film
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  • Pluribus Episode 3 Analysis: The Amazonification of Everything
    It’s The Pop Culture Professors, and we analyze the third episode of Vince Gilligan’s new series Pluribus. We talk through this episode as a literalization of the problem of being an individual in late-stage capitalism or, if you prefer, the Amazonification of everything. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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  • Christina Lane, "Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock" (Chicago Review Press, 2020)
    A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock’s right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV’s Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison’s career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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  • In “Pluribus” An America Without Division, But At What Price?
    It’s The Pop Culture Professors, and we analyze the first two episodes of Vince Gilligan’s new series Pluribus. The show posits an extraordinary intervention in worldwide politics and culture producing a utopia (that is of course simultaneously a dystopia) of quiescent bliss. Is the show shaping up to be another hit for the showrunner, previously responsible for Breaking Bad and Better Call Saul? Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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  • The Beast
    Have you ever felt that you keep making the same mistakes or that you have fallen into a pattern that could be Exhibit A as proof of reincarnation? The Beast (2023) uses all kinds of world-building and three different timelines to explore these ideas–and does so while faithfully adapting a 1903 story by Henry James. It’s the kind of film in which one could be lost in the red arrows that point out movie Easter eggs all over YouTube, but the real draw of the film is its incredible performances and how it combines intricate plotting with emotional weight. One of the many collections of James’s stories that includes “The Beast in the Jungle,” the basis for The Beast, can be found here. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd–and email us any time at [email protected] with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla’s substack, The Grumbler’s Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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  • C. Yamini Krishna, "Film City Urbanism in India: Hyderabad, from Princely City to Global City ,1890-2000" (Cambridge UP, 2025)
    Film City Urbanism in India: Hyderabad, from Princely City to Global City ,1890-2000 (Cambridge UP, 2025) is about the reciprocal relationship between cinema and the city as two institutions which co-constitute each other while fashioning the socio-political currents of the region. It interrogates imperial, postcolonial, socio-cultural, and economic imprints as captured, introduced, and left behind by politics of cinema, in the site of Hyderabad. It traverses through the makings and remakings of Hyderabad as princely city, linguistic capital city, and global city, studied through capital, labour, and organization of the film industry. It brings together diverse, and rich historical material to narrate the social history of Hyderabad, over a hundred years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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