Helen Mark visits the port of Bristol – finding out how it changed the local landscape, and how the landscape in turn shaped it. She learns how and why Bristol became a port city in the first place and finds out about the creation of the floating harbour in 1809. She uncovers a tale of mud, the enemy of shipping, which scuppered the port’s ability to take on larger ships, resulting eventually in its move down to the mouth of the river in 1873. Helen visits the historic Underfall boat yard, which was badly damaged in an arson attack two years ago, but is now gradually returning to its former glory. She finds out how the modern port has managed to carve out spaces for wildlife, learns how it still continues to change the landscape today, and hears about plans to build a “compensatory” nature reserve further down the coast.Contributors include:Tiggy Latcham - Bristol Ferry Company
Sarah Murray - Director, Underfall Yard
Anne Hayes - Head of Environment and Sustainability, The Bristol Port Company
Lucy Taylor - Deputy Environment & Sustainability Manager, The Bristol Port Company
John Chaplin - Director of External Affairs and Special Projects at The Bristol Port Company
Producer: Beth Sagar-Fenton
--------
23:51
Wild and Windy Fylde
The Fylde peninsula stands between Morecombe Bay, the Bowland Hills and the Irish Sea. Its position means that it's a very windy spot. Windmills have been a feature of the area for hundreds of years, built to grind grain and drain marshy areas in order to turn them into agricultural land. At one point there were over thirty-five windmills on the Fylde coast. Rendered obsolete by the arrival of new technologies – first steam, then electricity - only a few are still standing today. In this programme, Martha Kearney visits one of the last remaining windmills, Little Marton in Blackpool. Built in 1838, it inspired the author Charles Allen Clarke to write 'Windmill Land', documenting the windmills of rural Lancashire. Martha is shown around the mill by the author's grand-daughter, who explains its significance. Martha travels inland to discover how some of the impacts of the previous generations' decisions about landscape management are being reversed. Where land was once drained, in some places it is now being "re-wetted". She visits Winmarleigh carbon farm where Lancashire Wildlife Trust is running a project to restore peatland which was damaged in the past by drainage, involving planting 150,000 plugs of sphagnum moss. She learns how that's done, and meets the scientist who's monitoring the effect this has on greenhouse gas emissions.Back on the coast again at Lytham St Annes, Martha finds out about the role the wind has to play in 21st century activities in the area, where sports like kite-surfing and land-yachting are growing in popularity. She meets a man whose father set up the local land-yachting club, and who - now in his 80s - is still going strong in the sport.Producer: Emma Campbell
Assistant producer: Jo Peacey
--------
24:10
The People's Forest
Helen Mark hears the story of how the ancient Epping Forest was fought for, and saved by, the people of East London. In the late 19th century, Epping Forest was threatened with enclosures. As elsewhere in Britain, local landowners were selling off common land for farming or building developments. But local people fought back. Beginning with a Loughton man, Thomas Willingale, who continued to assert his commoner rights to lop trees for firewood, the groundswell of protest later became thousands of working class East Enders gathering on Wanstead Flats - the area closest to the city of London. The land of Epping Forest was eventually bought by the City of London Corporation, and with the Epping Forest Act of 1878, was forever saved from more enclosures. As Queen Victoria declared in 1882, "It gives me great satisfaction to dedicate this beautiful forest for the use and enjoyment of my people for all time”.Part of the responsibility of the new conservators of the forest, the City of London, was to look after and protect the forest for both people and wildlife. Helen Mark hears from those who job it is to carry that out, including Senior Epping Forest Keeper Martin Whitfield and Head of Conservation Tanith Cook. She also speaks to local historian, Georgina Green - author of 'Keepers, Cockneys and Kitchen Maids: Memories of Epping Forest, 1900-25', a book about the forests' eventful past, who also talks about her own memories of the place. And finally Luke Turner, author of 'Out of The Woods', who lives on the forest border talks about the myriad ways humans and Epping Forest are entwined.Produced by Eliza Lomas, BBC Audio Bristol.
--------
23:24
Time travel on Orkney
Rose Ferraby visits Orkney to discover the rich history of a stretch of coastline on the small Island of Rousay. She joins archaeologists from the University of the Highlands and Islands as they travel through the rugged landscape and varied timescales of Rousay's coastline, from prehistory to clearances. They chart the legacy of ancient islanders and uncover stories hidden within the island's brochs, tombs, churches and farmsteads.Producer: Ruth Sanderson
--------
24:29
Shifting Sands of Sefton
The Sefton coastline stretches for around twenty miles between Liverpool and Southport. It has one of the largest sand dune systems in the country, but is also one of the fastest-eroding shorelines, shifting back by around four metres ever year. In this programme, Martha Kearney visits Sefton to explore the ways in which this ever-changing landscape has been shaped by both human activity and the elements. She walks along Blitz Beach, where rubble was dumped from buildings destroyed when Bootle and Liverpool were bombed during World War II, and finds out how this has affected erosion over the decades since then. She learns about the treacherous sands of Crosby, where the famous Antony Gormley sculptures on the beach have proved a huge tourist attraction, but where an RNLI lifeguard explains how it is all too easy for unwary visitors to get stuck in the quicksand and mud. A few miles further up the coast at Formby, she finds out how work is going on to restore degraded sand dunes and goes out looking for sand lizards with one of the National Trust rangers. She asks what the future holds for this coastline, with its diverse wildlife habitats and fascinating history.Producer: Emma Campbell
Assistant producer: Jo Peacey
Italia