“Daisy Jones & The Six” co-writer and co-creator Scott Neustadter talks about his early career, writing book adaptations, and the making of the sprawling rock ‘n’ roll limited series for Amazon. First, Kim Masters and Matt Belloni look into Disney’s announcement of a LGBTQ+ summit in Florida in September. Is Disney’s CEO Bob Iger clapping back at Governor Ron DeSantis?

New York Times Presents’ reporters and producers Rachel Abrams and Liz Day discuss “Sin Eater: The Crimes of Anthony Pellicano” two-part documentary on FX and Hulu. They explain the infamous Hollywood private investigator’s rise and fall, his 15-year sentence for illegal wiretapping and other crimes, campaigns of intimidation, and how almost all of his powerful clients walked away unscathed.

Director-producer Elizabeth Banks understood the challenges of making the mixed-genre horror-comedy “Cocaine Bear.”  “I knew that if we could just create inside the movie the sense of chaos that the bear represented, that the title represented, that the ride was for theater goers, the comedy really came second to me,” she states. “I didn't want to make a comedy, if you will. It ended up being really funny, though.” Banks talks about hearing the call of destiny with “Cocaine Bear,” releasing the raunchy R-rated horror-comedy in theaters, working with Ray Liotta, and how she has dealt with failures in her career. But first, Fox Corporation CEO Lachlan Murdoch defends company against Dominion Voting Systems’ defamation lawsuit. Kim Masters and Matt Belloni discuss if his justification is surprising.

Director Daniel Roher is over the moon with the Oscar nom for his bio-doc “Navalny.” “How bittersweet this experience has been for me personally, as [a] filmmaker,” he affirms. “This film has put my life on a rocket ship, [and] has empowered creative career opportunities I never could have dreamed of.” Investigative journalist Christo Grozev, however, took one of the biggest risks imaginable: working on a film about Alexei Navalny, Russian opposition leader, has landed him on Putin’s wanted list. “When Navalny and I were saying our goodbyes, when he was about to leave for Berlin, he literally turned to me and said, ‘Well, until now I was number one on Putin's list, and from now on, you're number one on Putin's kill list.’ And it seems that he was not joking,” Grozev says. Roher and Grozev discuss how they came to pursue a film about Navalny, the risks they faced, and the eventual arrest and sentencing of the politician in Russia. 

For director Shaunak Sen documentary filmmaking is like a “fever dream,” in that when he starts he “sort of jumps off a cliff.” The same goes for his latest documentary “All That Breathes,” as he didn’t know where the film “would land.” “Everything that has happened with the film was utterly and entirely outside of my orbit of predictive reasoning as well.” In this interview, Sen discusses the creation of “All That Breathes,” the rescue work of black kites in New Delhi, the challenges of filming it, and the recognition it has received. But first, Kim Masters and Matt Belloni look at the possible exit of Kevin Costner from “Yellowstone.” Where does the franchise go without him?