New Books in Gender

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema’s most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama.

Melodrama is the focus of what would become Williams’s final project. In the last few years of her life, she was working on a project that traced melodrama’s divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture.

Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams’s unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media.

For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University.

Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague’s unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us.

Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world.
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In this episode, host Andrea Talabér (CEU Press, 2026) talks with Yulia Gradskova and Ieva Bisigirskaitė, two of the three authors behind Good Mothers, Nations and Nationalisms: Cases from Lithuania, Russia and Sweden. Together with Soheyla Yazdanpanah, they explore what nationalists mean by "good mothers," demographic anxiety, and maternal activism in Lithuania, Russia and Sweden.

You can purchase a copy here.

The CEU Press Podcast delves into various aspects of the publishing process: from crafting a book proposal, finding a publisher, responding to peer review feedback on the manuscript, to the subsequent distribution, promotion and marketing of academic books. We also talk to series editors and authors, who will share their experiences of getting published and discuss their series or books.

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Fifty years ago, tennis player Renée Richards made international headlines in her fight to compete in the women’s draw of the 1977 US Open—marking the first time a trans athlete sued to participate in professional sports in the gender category with which they identify. Renée eventually won her case. Though she lost in the first round of the singles tournament, she and her tennis partner made it to the finals in doubles, losing to Martina Navratilova and her partner.

Finding Renée Richards: The Groundbreaking Story of Tennis’s Trans Pioneer (HarperOne, 2026) chronicles Richards’s extraordinary life, moving from her tumultuous upbringing in Queens, New York, to her career as a successful eye surgeon; her years as a star tennis player to her role as a transgender pioneer. Now in her nineties, Renée remains a complex figure: A person who changed the sports world forever yet questions the place of trans athletes in that world today. GLAAD award-nominated sports journalist Julie Kliegman deftly probes these contradictions, drawing on intimate interviews and offering critical reflections on what is at stake for athletes, fans, and the queer community today, at a time when trans participation in sports is more hotly contested—and condemned—than ever before.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, is now available. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
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Queer theory and reproductive justice need each other—now more than ever. As liberals and leftists increasingly frame reproductive justice in terms of LGBTQ+ rights, often adopting the language of “queerness,” it has become difficult to see that their political demands and strategies are often quite conservative. In Reproductive Justice, Queerly (U California Press, 2026), Carly Thomsen examines typical reproductive justice issues—including abortion, surrogacy, crisis pregnancy centers, paid parental leave, and parenting—in queer ways. She shows what can happen when we bring queer theory and reproductive justice together: a queerer, more powerful articulation of what we are fighting for.

Your host Yining Pan is a Ph.D. candidate in anthropology at Washington University in St. Louis.
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A woman miscarries—and is charged with murder. A new mother tests
positive for a drug her hospital administered—and loses custody of her
newborn. Four women are convicted of horrific crimes against children
they never touched, based on junk science and homophobia—and spend
nearly twenty years in prison before being exonerated. A queer teenager
takes a photo of a child’s diaper rash at work—and is sentenced to 126
years. These cases are not aberrations. They are symptoms of a system
that punishes women and queer people not for what they have done, but
for who they are.

In the United States, nearly three-quarters of all wrongly convicted
women were convicted of crimes that never occurred at all. In Pink Crime: Fighting Against the Criminalization of Motherhood, Pregnancy, and Queer Identity
(New Press, 2026), Dr. Valena Beety, co-founder of the Indiana Innocence
Project and award-winning legal scholar cited by Justice Sonia
Sotomayor, reveals how ordinary tragedies—a child’s sudden death, a
husband who dies in his sleep—are transformed by prosecutors into
murders that never happened. These “no crime” convictions
disproportionately target women and queer people, whose identities are
recast as evidence of guilt through bias, junk science, and entrenched
stereotypes.

Drawing on devastating real-life cases, Dr. Beety
exposes how prosecutorial overreach, flawed forensic science, and
cultural panic converge—and how fetal personhood laws, the fall of Roe
v. Wade, and anti-LGBTQ+ legislation have dramatically expanded the
reach of criminal law. What emerges is a chilling portrait of a legal
system that increasingly criminalizes pregnancy outcomes, motherhood,
and queer identity itself.

This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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