New Books in Gender

When George Washington was elected president, he reluctantly left his beloved Mount Vernon to serve in Philadelphia, the temporary seat of the nation’s capital. In setting up his household he took Tobias Lear, his celebrated secretary and eight slaves, including Ona Judge, about whom little has been written. As he grew accustomed to Northern ways, there was one change he couldn’t get his arms around: Pennsylvania law required enslaved people be set free after six months of residency in the state. Rather than comply, Washington decided to circumvent the law. Every six months he sent the slaves back down south just as the clock was about to expire.

Though Ona Judge lived a life of relative comfort, the few pleasantries she was afforded were nothing compared to freedom, a glimpse of which she encountered first-hand in Philadelphia. So, when the opportunity presented itself, Judge left everything she knew to escape to New England. Yet freedom would not come without its costs. At just twenty-two-years-old, Ona became the subject of an intense manhunt led by George Washington, who used his political and personal contacts to recapture his property.

With impeccable research, historian Erica Armstrong Dunbar weaves a powerful tale and offers fascinating new scholarship on how one young woman risked it all to gain freedom from the famous founding father in In Never Caught: The Washingtons' Relentless Pursuit of Their Runaway Slave, Ona Judge (Simon and Schuster, 2017).
Guest: Dr. Erica Armstrong Dunbar holds a B.A. in History and Africana Studies from the University of Pennsylvania and a Ph.D. in History from Columbia University. Her area of expertise centers the lives of eighteenth and nineteenth century Black women who lived in what would become the United States of America. Her work focuses on the history of slavery and freedom, social history, urban history, and women’s history. While Dr. Dunbar is committed to the production of scholarly literature, she is deeply invested in more public facing work—scholarship that reaches large general audiences through television, film, radio, and podcasts.
Host: Dr. Christina Gessler a developmental editor and writing coach for academics. She produces the Academic Life podcast and newsletter.
Playlist:
Running From Bondage
The Social Constructions of Race
We Refuse
I Have Avenged America
Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 325+ Academic Life episodes? Find them here. And thank you for listening!
This episode was originally published on 12/16/2020

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From the Pulitzer Prize-winning author of Franchise comes How Bright the Path Grows: The Untold Story of the Women Who Made the March on Washington (Pantheon, 2026), the untold story of the pioneering Black women artists and activists who were seen, but barely heard, at the 1963 March on Washington.
There is no shortage of footage immortalizing the men who spoke at the 1963 March on Washington for Jobs and Freedom, when 250,000 Americans gathered beneath the Lincoln Memorial to call for an end to segregation. There were reverends and rabbis, activists and Rat-Pack icons—and of course the day's headliner, whose prophetic dream of a post-Jim Crow world has forever defined the Civil Rights Movement. But there is no “class photo” of the Black women who helped organize the march, performed on its main stage, or were honored during its Tribute to Negro Women Fighters for Freedom. In How Bright the Path Grows, Marcia Chatelain weaves a gleaming group portrait of these singular women. Among this cohort were several household names: vaudeville icon Josephine Baker, civil rights activist Rosa Parks, gospel legend Mahalia Jackson, and Daisy Bates, champion of the Little Rock Nine. But many were relative unknowns, including Eva Jessye, the choir director who designed the day’s musical program; and Anna Hedgeman, the coordinator who pushed in the eleventh hour for a tribute to Black women’s work. How Bright the Path Grows is a scintillating group biography, rendering the lives of thirteen Black women visionaries—some famous, others soon to be—in novelistic detail and like never seen before.

Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

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To be heard as complaining is not to be heard, writes Sara Ahmed. In No! The Art and Activism of Complaining, her sweeping exploration of complaint as a means of resistance, Sara Ahmed attunes her “feminist ear” to those who seek to challenge powerful institutions. She shows how complaints can unbury past complaints, getting them out of filing cabinets or from behind closed doors, allowing us to see institutions more clearly—how they work, and for whom they work.
Where complaints live, how complaints are made, who receives them, who buries them and where—Sara Ahmed’s accessible, attentive writing brings to life the lessons learned from people knocking at closed doors, teaching us how to collectively resist the glacial weight of institutional power. This book inspires all of us to persist, to say “No!” and to build new collectivities that break down brick walls together.
Guest: Sara Ahmed is an independent feminist scholar. She has published eleven books, including The Feminist Killjoy Handbook. She lives in Cambridgeshire, England.
Host: Dr. Christina Gessler is an academic writing coach and editor. She is the producer of the Academic Life podcast and newsletter.
Playlist for listeners:
How We Show Up
Indigenous D.C.
We Refuse: A Forceful History of Black Resistance
What Might Be
Living Resistance
Leading Toward Liberation
Leading From The Margins
Thanks To Life
I Have Avenged America
Black Boy Out Of Time
Shoutin In The Fire
The Names Of All the Flowers
Hands Up, Don't Shoot
That Librarian
Book Banning
Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

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What happens to foreign aid (and to women’s status) when the global development landscape shifts away from U.S. dominance? In this episode of International Horizons, John Torpey speaks with sociologist Mary-Collier Wilks about her book Reimagining Aid: Foreign Donors, Women’s Health, and New Paths for Development in Cambodia (Stanford UP, 2026). They discuss the contrasting approaches of U.S., Japanese, South Korean, and Chinese donors, the rise of competing regional models of development, and what the changing aid landscape means for gender equality and local actors in Cambodia.

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For as long as human societies have been telling stories, the patriarchy has felt threatened by women. In this book, Eleanor Johnson provides an engaging cultural history of a figure she calls the “monstrous bitch,” the notorious female who has haunted the patriarchal imagination for centuries, feared for her sexual promiscuity, her exercise of reproductive agency and control, and her outspoken way of contesting patriarchal power.

In a narrative brimming with insight, Johnson traces the origins of female monstrosity to the demoness Lamashtu of ancient Mesopotamia, showing how this infanticidal, hypersexual, loudmouthed monster appears in different guises throughout history. In classical Greece, she reemerges as the sorceress Medea, the child-devouring monster Lamia, and the vengeful Furies. In the medieval and early modern periods, she is an oversexed, baby-slaying, spellcasting witch; in the Romantic and Victorian eras, a vampiress; and in the modern age of psychoanalysis, a mental patient. After this longue durée history, Johnson shows how monstrous bitchery has been challenged and reinterpreted in contemporary cinematic popular culture, becoming an expression of heroism and resistance in films like Ginger Snaps, Jennifer’s Body, and The Witch. She demonstrates how deeply embedded the roots of misogyny have become, and why it is more critical today than ever that we expose and address them.

An irreverent look at a pervasive trope that runs through four thousand years of Western culture, Monstrous Bitch: A History of Terrifying Women (Princeton UP, 2026) reveals that while representations of the powerful woman have evolved over time, the fear and demonization of her remains the same.
Eleanor Johnson is professor of English and comparative literature at Columbia University. Her books include Scream with Me: Horror Films and the Rise of American Feminism (1968–1980); Waste and the Wasters: Poetry and Ecosystemic Thought in Medieval England; Staging Contemplation: Participatory Theology in Middle English Prose, Verse, and Drama; and Practicing Literary Theory in the Middle Ages: Ethics and the Mixed Form in Chaucer, Gower, Usk, and Hoccleve.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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