New Books in Gender

How the sound of the female playback voice impacts Bollywood's cultural, musical, and cinematic environment.

Drawing on sound studies and performance theory, scholar Shikha Jhingan explores the discursive nature of the female playback voice in Bombay film songs in The Female Playback in Bombay Cinema: Voice, Body, Technology (Wayne State UP, 2025). Mapping the production, circulation, and reception of the voices of singing stars—notably Lata Mangeshkar and Asha Bhosle—Jhingan situates the singing voice as a cinematic object with limitless possibilities of distribution and dispersal. She employs the perspectives of a diverse range of listeners across a vast media landscape to illustrate how the affective charge of the female playback voice, combined with developments in audio technology, has led to a gradual expansion of opportunities for women in film, popular music, and media and audio production. With nuanced exploration of the way the human voice becomes intertwined with devices such as the microphone, radio, cassettes, and digital technologies, Jhingan argues for the sonic excess of the female voice beyond the narrative and visual. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies.
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Beyond Brutality: Reclaiming Female Presence in Bavli Sotah (Brandeis University Press, 2025) draws
on feminist analysis and gender studies to examine tractate Sotah of
the Babylonian Talmud as a literary unit. By interrogating how, why, and
where women are invisible within Bavli Sotah, Jane Kanarek brings to
light a ubiquitous female presence throughout the text. Despite the
brutality of the sotah ritual—in which the woman accused of adultery is
put through a divine ordeal intended to reveal her innocence or her
guilt—this book demonstrates that Bavli Sotah is not primarily concerned
with describing the sotah ritual or establishing male control over
women. Instead, Bavli Sotah becomes a pedagogical text in which the
sotah is secondary to moral and sinning men. As the sotah herself fades
into the background, the sotah ritual nevertheless overflows its
boundaries and weaves its way through a range of other topics within the
tractate. In the process, Bavli Sotah teaches its audience who
transmits and how one transmits rabbinic culture.

Dr. Rabbi Jane Kanarek is Professor of Rabbinics at the Rabbinical School of Hebrew College, Newton, MA.

Dr. Rabbi Rachel Adelman, Professor of Bible at the Rabbinical School of Hebrew College, Newton, MA.
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More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe.

Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification.

Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum.

Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria.

Ginger Dellenbaugh’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
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Dr. Shirley's monograph, Religion, Gender, and Politics in Medieval Sri Lanka: The Reconstruction of Buddhist Kingship, ca. 1070-1215 (ARC Humanities Press, 2026), is now available open access, thanks to the generous support of the Robert H. N. Ho Family Foundation. This book offers a radical
reconsideration of the Poḷon-naruva period, long understood to be a
turning point in the history of Theravāda Buddhism. Histories of this
period have been overwhelmingly based on a series of literary accounts
written long after the fact. But by drawing on textual, inscriptional,
numismatic, and material evidence from within the period itself, the
book reveals how the intellectual and social histories of Buddhism,
politics, and gender were inextricably intertwined in Poḷon-naruva. In
particular, it argues that debates over what it meant to be a “good
Buddhist king” were intrinsically debates about Buddhist masculinity and
about the proper relationship of gender to power.

Link to purchase/download the book here.

Bruno M. Shirley is a lecturer in Buddhist Studies at
Heidelberg University, Germany. He completed his MA in Religious Studies
at Te Herenga Waka/Victoria University of Wellington, NZ, and then PhD
in Asian Literature, Religion, and Culture at Cornell University in New
York, USA.

Dr. Shirley is a historian of religion, gender, and
politics in early second-millennium Sri Lanka and beyond. As an
academic, he is interested in what it meant to understand oneself as
“Buddhist” in medieval South Asia. His research explores a wider range
of evidence—from royal inscriptions, to monastic disciplinary codes, to
elaborate poems—in order to expose the cracks and fissures between
competing visions of Buddhism.

Resources referred to in the interview: 

Alastair Gornall, Rewriting Buddhism: Pali Literature and Monastic Reform in Sri Lanka, 1157–1270. University College London Press, 2020.

Day, Tony. “Ties That (Un)Bind: Families and States in Premodern Southeast Asia.” The Journal of Asian Studies 55, no. 2 (1996): 384–409.

Gunawardana, R. A. L. H. Robe and Plough: Monasticism and Economic Interest in Early Medieval Sri Lanka. University of Arizona Press, 1979.

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In Paper Heroines: Women Writers in Conversation and Community Across the Sea Islands, 1838-1902 (U South Carolina Press, 2026), Dr. Mollie Barnes studies the ways women represented their own and one another's lives in their personal diaries and their biographies of their contemporaries. By reading these women writers—Black and white, obscure and well-known—in conversation, Dr. Barnes presents entirely new portraits of these freedom fighters of the nineteenth-century South Carolina Lowcountry. Like feminist and anti-racist leaders in our own moment, the women in Paper Heroines were often flawed. White women reformers sometimes created tensions, silences, revisions, and erasures within their print-culture networks, obscuring the lives and contributions of Black women. Black women developed counternarratives and counter-networks as they sought to reclaim their own life histories. What emerges from Barnes's exploration of these textual conversations is a story of complicated relationships that reveal the dynamism of women's lives in a place and time that was equally tumultuous and consequential.

Key terms and names is this episode include: close reading, archival silences, the peripheries, life writing, The Penn School, Port Royal, Beaufort, Combahee River, St. Helena, Relief Workers, Harriet Tubman, Fanny Kemble, Psyche, Teresa, Laura Towne, Charlotte Forten, Mr. Holland, and Sarah Hopkins Bradford.

Guest: Dr. Mollie Barnes is Associate Professor of English at the University of South Carolina Beaufort, Vice President of the Margaret Fuller Society, and Vice President of Organizational Matters for the Society for the Study of American Women Writers. She has published numerous articles and book chapters on 19th century women writers, and is the author of Paper Heroines, which received funding support from the National Endowment for the Humanities.

Host: Dr. Christina Gessler holds a PhD in history, which she uses to explore which stories we tell, and what happens to those we never tell. She is an academic writing coach and editor. She created, produces and hosts of the Academic Life podcast.

Playlist for listeners:

Writing Biography

Running From Bondage

Jumping Through Hoops

Never Caught

Speaking While Female

Women Reformers and The House on Henry Street

We Refuse

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
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