New Books in Gender

Molly Brookfield’s book, Watching the Girls Go By: A History of Street Harassment in the United States (University of North Carolina Press, 2026) explores
the historical, legal, and cultural history of street harassment in the
United States. Historically, Brookfield identified the "masher panic"
(late 19th–early 20th century) when reformers and municipalities labeled
male accosting of women a public problem and enacted anti-masher
ordinances or applied disorderly-conduct laws. On law and policy, the
book highlights primarily local legal responses against harassment, with
municipal codes and reinterpretations of existing ordinances more
common than coherent federal action that criminalizes mashing.

In Watching the Girls Go By,
street harassment is situated on a continuum with other gendered and
sexualized violence, with the argument that street harassment normalizes
and underpins more extreme harms against women. The book portrays
historical scholarly perspectives to street harassment including those
of Cheryl Bernard and Edith Schlaffler. Also, the book builds on diverse
historical sources and employs varying terms for similar behaviors. The
author uses "intrusive behaviors" as a more precise analytic category
while preserving period-specific terms when discussing particular
historical contexts.

Mariam Olugbodi
is a university teacher and a writer, she is the author of the
monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches
Commentaries in the UEFA Champions League”, published by Grin Verlag.
Mariam’s greatest dream is seeing a world where knowledge is accessible
to all. She does this through her volunteering roles on open knowledge
platforms as a host and an editor. As part of her effort to maintain
inclusion and diversity in knowledge transmission, she volunteers as a
teacher in crises contexts. Learn more and connect with Mariam through
her social links: LinkedIn, ORCID, Meta.
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In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting the pivotal role of Belgrade’s Student Cultural Centre, where women were instrumental in forging a progressive artistic and curatorial vision.

Through insightful examinations of performance art, video art, and the development of feminist thought in Yugoslavia, Foerschner reveals how the region carved out a distinctive place within the international postwar avant-garde. Situating Yugoslav feminism in dialogue with Western and neighbouring contexts, she sheds new light on the complex intersections of art, politics, and social change. By exploring artistic responses to the breakup of Yugoslavia in the 1990s, and the enduring political dimensions of cultural production, this book invites readers to reconsider the legacies of activist art and their resonance in our present time.
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An unsettling exploration of the persistence of racism in reproductive healthcare in the US—and why even affluent Black women are imperiled by substandard care.From a leading expert on race, class, maternal health, and reproductive rights.Racism in maternal healthcare is not reserved for the poor. An unsparing picture of inequities in prenatal care and childbirth in the United States, Expecting Inequity: How the Maternal Health Crisis Affects Even the Wealthiest Black Americans (MIT Press, 2026) reveals that not only are black people three to four times more likely to die from a pregnancy-related cause, but racial disparities in maternal mortality persist across income levels. That is, wealthier black people are much more likely to die during pregnancy, childbirth, or the postpartum period than their white counterparts. Focusing on a San Francisco obstetrics clinic that caters to the affluent, Khiara Bridges looks at the choices around prenatal care and childbirth that class-privileged, pregnant black people are making in order to survive what has been called the “black maternal health crisis.”Bridges, whose previous work exposed how race and racism are embedded in maternal healthcare for the poor, draws on two years of participant-observation to show how wealthier black people try to leverage their class privilege to avoid some of the negative effects of their blackness—only to discover that in a country that has never reckoned with its horrific racial past, there is no escaping racism’s reach. Throughout the book, engaging, heartbreaking, infuriating stories of women’s experiences with pregnancy and prenatal care illustrate how race and racism matter regardless of wealth or status.
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Stacey Copeland, Assistant Professor of Cultural Heritage and
Identity at the Centre for Media and Journalism Studies at the
University of Groningen, joins Jana Byars to talk about⁠ Lavender Sounds: From Lesbian Radio to Queer Feminist Soundwork⁠
(University of Michigan Press, 2026) delves into lesbian radio history
and its evolution into queer feminist podcasting today, exploring the
politics, aesthetics, and cultural activism embedded in queer feminist
soundwork. Through deeply personal and archival explorations, Stacey
Copeland traces the emergence of queer feminist soundwork—a unique blend
of community-led storytelling, political resistance, and creative
expression rooted in feminist and LGBTQ+ activism. At the heart of the
book lies a powerful idea: sound is not just heard but felt, connecting
generations through shared voices and struggles. In conversation with
award-winning and cutting-edge queer and feminist podcast producers from
across Canada and the U.S., Lavender Sounds invites us to turn a
feminist embodied ear to the past to uncover the ways gender, race, and
sexual orientations are embedded in our everyday media listening
practices. From pioneering Canadian radio shows like Vancouver's The
Lesbian Show and Montreal's Dykes on Mykes to today's queer chumcasts
and audio documentary, Lavender Sounds is a journey through auditory
landscapes where joy, protest, intimacy, and identity intersect. This
book opens a vibrant conversation about how radio and podcasting are
vital tools for marginalized communities to connect, create, and claim
space in the media world.
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On August 2, 1943, prisoners at the Nazi extermination camp Treblinka, located in occupied Poland, launched an uprising against their captors, during which hundreds successfully escaped while guards killed as many in the process. In this groundbreaking work, Chad S.A. Gibbs draws upon recently discovered sources and novel research methods to fundamentally reassess Jewish resistance at Treblinka—both before and during the revolt.

Using the testimonies of revolt survivors, prior escapees, those who passed through the camp, and a handful of bystander witnesses and former SS guards, Gibbs sheds new light on the events of August 2 as well as many prior acts of resistance in Survival at Treblinka: Geography, Gender, and Social Networks in Jewish Resistance (U Wisconsin Press, 2026). Critical to these new interpretations of the revolt are the actions of women prisoners, who here assume a central place in this story for the first time.

Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He is the author of The Consuming Temple: Jews, Department Stores, and the Consumer Revolution in Germany, 1880–1940. plerner@usc.edu @plerner.bsky.social
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