Crossing Continents

Political analysts and human rights organisations say Turkey's courts are increasingly being used to silence political dissent and to shape a more socially conservative society. The most prominent defendant is Ekrem İmamoğlu, the mayor of Istanbul, and the opposition figure opinion polls suggest is most likely to beat President Erdoğan at the ballot box. İmamoğlu has been held in Silivri prison since March 2025 and now stands trial alongside more than 400 co-defendants in a sprawling corruption case. Other elected mayors have been removed from office and replaced by government appointees. Journalists, musicians, and comedians too are now increasingly finding themselves in trouble with the law, jailed for jokes insulting the President or the state.
The government insists its courts are independent and simply applying the law and that these are ordinary prosecutions, in a state entitled to defend itself after the violent coup attempt of 2016. But critics say President Erdoğan is using the courts as part of a "lawfare" campaign that aims to silence opponents, extend his more than two decades in power and shape the country in his own traditional, socially conservative Islamic vision.
Emily Wither speaks to a former judge punished for criticising the changes to Turkey's judiciary, mayors held for months without conviction, court reporters accused of spreading "disinformation," and performers prosecuted for what they said on stage.
Produced and presented by Emily Wither
Mixed by Neil Churchill
Production coordinator Gemma Ashman
Editor: Penny Murphy

Russian is the first language of millions of Ukrainians, including many of the country’s frontline troops. But it’s also the language of their enemy. And its public use is increasingly restricted by law, with ever more measures to enforce communication in Ukrainian. Ukrainians are allowed to speak Russian in private conversations. But they can be fined for playing a Russian language song in the street, if the singer or composer is a Russian citizen. The state says Russian must be policed because Russia uses the language as a weapon to spread its influence. But in primarily Russian-speaking places such as Odesa, Ukraine’s third-largest city, many are unhappy about the language laws. One popular entertainer says they’re beyond Kafkaesque. Tim Whewell reports on the arguments dividing a city under constant Russian bombardment, as one side calls the Russian language a colonial hangover, while the other says cultural diversity is what Ukraine should be fighting for.
Producer: Tim Whewell
Sound engineer: James Beard.
Assistant producer: Serhiy Solodko
Security adviser: Jack Bleach
Production coordinators: Gemma Ashman and Keshia Agyei
Editor: Penny Murphy

AI cameras. Drones. Facial recognition. Sound detection. Flock.
The United States is monitored through a growing, high-tech, and increasingly interconnected surveillance network. The police say this is all for public safety - to prevent crime and assist investigations. Critics think it’s an invasion of privacy, open to misuse, and a sneaky tool aiding ICE in President Trump’s deportation drive.
One company is bearing the brunt of the backlash: Flock Safety. Its network of AI-powered licence plate readers spans over 7000 communities, generating 20 billion vehicle scans a month. In some cities - like Houston, Texas - which has over 60 different law enforcement agencies, the full extent of the system is unclear. Many of these authorities won’t say publicly how many Flock devices they have.
Vigilantes have been cutting down licence plate readers. Social media is full of tips on how to obstruct or disable the cameras. City halls across America are debating their Flock contracts. Meanwhile Flock employees are facing threats to their own safety.
Ellie House is in Houston, Texas, investigating the surveillance network authorities want to keep quiet. She sees how Flock has been used by police to fight crime, and gets inside the anti-surveillance ‘techlash’. And she sits down with Flock CEO Garrett Langley in his Atlanta HQ.
Presented and produced by Ellie House.
Edited by Penny Murphy.
Sound mix by Neil Churchill.
The Production Coordinator was Gemma Ashman.

The figures are startling. 2.1 million Brazilians have a clinical addiction to betting. 7.5 million are problem gamblers. Women now comprise 40% of all gamblers, having been 25% just a decade ago. Online sports and casino betting have exploded in Brazil to make it one of the largest gambling markets in the world. The self-help group Gamblers Anonymous says it's receiving thousands of calls each month and millions of Brazilians are estimated be suffering financial, emotional or relationship problems as a result of betting.
Camilla Mota talks to football fans in Sao Paulo on why they’re gambling on their team’s result. She also speaks to a man who gambled away $75, 000 on a corporate credit card over just one weekend and a businesswoman who locked herself in the toilet of her family home in order to bet in secret. Camilla also meets two psychiatrists offering treatment to addicts at a special clinic. What can be done to protect problem gamblers while at the same time avoid driving legal gambling underground?

Produced by Bob Howard
Studio mix: Neva Missirian
Production coordinator: Gemma Ashman
Editor: Penny Murphy

What do the stolen love letters of John Keats have to do with homicide on the streets of New York?  Prosecuting both crimes falls under the remit of assistant district attorney Matthew Bogdanos.   A retired Marine colonel with both law and classics degrees, he has been the head of the Manhattan District Attorney's Antiquities Trafficking Unit since its creation in 2017. In his time on the job, the office has has seized more than six thousand pieces of stolen art and antiquities from various museums, art galleries and private homes in order to return them to their countries of origin.
In this Crossing Continents, Sandra Kanthal travels to New York to learn more about this special unit of law enforcement and the reasons why one man thinks tracking down stolen treasures of the art world and reuniting them with their rightful owners is vitally important to our past and for our future.
Presenter and Producer: Sandra Kanthal
Editor: Penny Murphy
Studio Mix: James Beard
Production Coordinator: Gemma Ashman