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Talkhouse Podcast

Talkhouse
Talkhouse Podcast
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614 episodi

  • Talkhouse Podcast

    Bill Callahan with Michael Imperioli

    30/04/2026 | 41 min
    On this week’s Talkhouse Podcast, we’ve got an interesting pairing—two guys that hadn’t met before, and who come from different parts of the arts world, and who are both pretty damn great at their jobs. It’s Bill Callahan and Michael Imperioli.

    Bill Callahan made music under the name Smog for about 15 years, releasing an incredible catalog of gorgeous, mostly minimal, often wandering songs delivered in his unmistakable baritone. He’s one of the most profound lyricists of the past 30 years, crafting careful little worlds that are often funny and heartbreaking at the same time. In 2005, he dropped the Smog moniker and started releasing records under his own name, but there’s no obvious break in the continuity. It’s a fantastic body of work and you can start almost anywhere: I’d recommend 1999’s Knock Knock as an entry point, or maybe 2007’s A River Ain’t Too Much Too Love, which comes up in this chat. But you could just as easily jump in with Callahan’s fantastic new one, My Days of 58, which was finished after a scary cancer battle. In spite of that—or maybe because of it—it’s one of Callahan’s most relaxed and charming ever. Check out “Why Do Men Sing” right here.

    Today’s other guest is instantly recognizable to fans of The Sopranos as Christopher Moltisanti, the tragic character that surely wouldn’t have been nearly as indelible without Michael Imperioli’s genius-level portrayal. You’ve seen him in a million other things, too, from Goodfellas to Summer of Sam—which he also co-wrote—to The White Lotus. What perhaps you didn’t know about Imperioli is that he’s also a musician. He’s the singer/guitarist in a band called ZOPA, which plays catchy, straight-ahead rock that sounds deeply rooted in New York City, which Imperioli still calls home. He also wrote a novel, which comes up in this chat with Callahan, and he’s a practicing Buddhist, another topic of conversation.

    Even though Callahan and Imperioli didn’t know each other, they were clearly fans of each other’s work. In this chill chat, Michael tells Bill about the exact moment he first heard one of his songs. They also get into Bill’s health scare and how it inspired his new record, Michael’s kids and what they’re up to, and there’s a lot of talk about Lou Reed—a guy that inspired them both. Enjoy.

    0:00 — Intro
    2:35 — Living in Austin & New York
    3:34 — On Bill’s new record and discovering Smog’s past work
    5:03 — On birthdays and the Chinese Zodiac
    6:34 — On cancer and writing the new album, My Days of 58
    8:33 — On Michael’s novel, fiction, and inspiration
    10:47 — On practicing Buddhism, reincarnation, and monks
    16:03 — On raising kids and their musical talents
    19:07 — On AI and why human emotion matters in art and work
    25:10 — On playing instruments and recording musicians
    29:08 — On knowing Lou Reed, and his inspirations
    34:35 — On Bill’s upcoming tour, and favorite guitars

    Thanks for listening to the Talkhouse Podcast and thanks to Bill Callahan and Michael Imperioli for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform and check out all the great stuff we’ve got going at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

    Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠.
    Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more.
    Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.
  • Talkhouse Podcast

    Nobody's Ever Asked Me That: David Dastmalchian

    23/04/2026 | 50 min
    On the latest episode of the Talkhouse Podcast’s spin-off series, host Nick Dawson sits down with actor, writer and all-around fascinating human David Dastmalchian, whose beautiful debut graphic novel Through was just published. In an engrossing and often very profound conversation, the two discuss David’s fascinating (and impressively genre-tinged) recurring nightmares, his mother’s emotional supernatural encounter with her first love, his childhood fear of hell, how “doing the work” led him to write Through … and much more, including why David insisted this episode be titled “Pedal to the Metal”! For more filmmakers talking film and TV, visit Talkhouse at talkhouse.com/film. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast.

    0:00 — Intro
    3:06 — Do you remember your dreams and/or nightmares?
    6:01 — Recurring horror dreams, stress dreams, and lucid dreaming
    12:47 — Do you believe in ghosts and the supernatural?
    16:50 — Living “in the gray” between ideas and spiritual interconnectivity
    20:19 — Concepts of religious hell and fearing hell as a child
    22:55 — Favorite films about religion, and exploring religion in creative communities
    25:35 — Titling podcast episodes - “Put the pedal to the metal”
    26:51 — “Can you think of a time when you nearly gave up?” and addiction
    30:08 — Attempting to take his own life
    31:46 — Sobriety, relapsing, and managing his anxiety and depression
    34:37 — Mining your own experiences in writing, and David’s new book, Through
    38:58 — “How comfortable are you with discomfort?," coping mechanisms, and consumerism
    44:49 — “What kind of a life would you want to live?”

    Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠.
    Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more.
    Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.
  • Talkhouse Podcast

    James Graham (The Twilight Sad) with Rachel Goswell (Slowdive)

    16/04/2026 | 46 min
    On this week's Talkhouse Podcast, we've got an intense conversation between two friends about loss, mental health, and more: It's James Graham and Rachel Goswell.

    Graham is the singer and lyricist of the Scottish band the Twilight Sad, whose first full-length came out back in 2007, and who were part of a scene that included their friends in Frightened Rabbit and We Were Promised Jetpacks—the common thread being intense, emotional, heart-on-the-sleeve rock songs. They chugged along for a while there, making great records, and were eventually kind of taken under the wing of the Cure's Robert Smith, who loved their music so much that the Twilight Sad has become the Cure's default opening band. But life hit Graham pretty hard over the past decade, with a seven-year stretch that included losing his mother to dementia and a bout of his own with mental illness. Graham eventually began writing songs about it, and the result is the first Twilight Sad record in seven years, called It's The Long Goodbye. It's not necessarily an easy listen, but it's worth it. Check out "Chest Wound to the Chest" right here.

    The other half of today's conversation is Rachel Goswell, best known as the singer of '90s shoegazers Slowdive. Slowdive had a pretty weird trajectory, coming up in the same scene that birthed My Bloody Valentine, Ride, and other big players, but never really getting their due back then. But history was justifiably kind to Slowdive, and they re-formed about 10 years ago, picking up a much younger fanbase in the process—theoretically thanks to TikTok and other social platforms. But Slowdive isn't just playing the nostalgia game: They've released vital new music in recent years, and their latest is 2023's Everything is Alive.

    In this immediately intense conversation, Graham and Goswell talk at length about how they first got to know each other, about how they become different people on stage, and about their common bond, having both lost their mothers to dementia in recent years. Like I said, it can be intense, but I appreciate their sincerity and openness, and I hope you do too.

    0:00 – Intro

    2:19 – Start of the chat

    3:40 – On how Rachel & James met

    4:55 – Staying healthy & finding connection on tour

    11:18 – On daily routines to cope with mental health challenges

    14:06 – On musician personas & enjoying tour prep

    19:54 – On supporting each other while both their mothers had dementia, and the types of dementia

    26:42 – On processing difficult memories & mourning for the future

    29:57 – On coping with their mothers' dementia during the pandemic

    31:18 – On saying goodbye to their moms

    33:17 – On living and working with grief

    35:24 – On anxiety & working on mental health

    36:25 – On "active grieving"

    38:42 – On realizing what matters about art after tragedy

    40:21 – On finding hope through connecting with new audiences

    Thanks for listening to the Talkhouse Podcast, and thanks to James Graham and Rachel Goswell for talking. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

    Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠.
    Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more.
    Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.
  • Talkhouse Podcast

    Jason Williamson (Sleaford Mods) with Andrea Arnold

    09/04/2026 | 51 min
    On this week’s excellent Talkhouse Podcast episode, we’ve got one of my favorite film directors in conversation with the vocalist of one of the last two decades most engaging bands—who also happened to appear in her latest movie. It’s Andrea Arnold and Jason Williamson.

    Andrea Arnold is a visionary British filmmaker who doesn’t make movies very frequently, but she sure makes them count. Her first to really make a splash was 2009’s Fish Tank, a coming-of-age story—that’s a recurring theme—that was the first place I remember seeing Michael Fassbender. She’s since directed three more features: an adaptation of Wuthering Heights (though not the gaudy new one), the visceral American Honey, and last year’s magical Bird, which stars Barry Keoghan as the deadbeat working-class dad to newcomer Nykia Adams. It’s flown under the radar for sure, but please seek it out and let me know what you think. I loved it, and it’s got one of the greatest soundtracks you’ll hear all year, with Fontaines DC, Blur, and Sleaford Mods, which leads me to the other half of today’s conversation, Jason Williamson.

    Williamson is the lyricist and vocalist—he doesn’t exactly sing—for Sleaford Mods, which has created an unforgettable, fully individual kind of post-punk for the past two decades, characterized by Williamson’s witty, confrontational words. Like Arnold, Williamson has roots in the working class, and his music offers an unvarnished reflection of those roots. When she got in touch with him about playing a small but important role in Bird, he admitted that he wasn’t familiar with her movies—but quickly became a fan. So he was in her movie, and she in return directed a video for the song “No Touch” from the latest Sleaford Mods album, The Demise of Planet X, which came out earlier this year. Check out that song right here.

    In this open and generous chat, Arnold and Williamson talk about their shared backgrounds, about shooting Williamson's pivotal scene in Bird, and about Arnold’s career as a dancer and TV presenter for various BBC shows. I’m a fan of her work and I had no idea about this entirely different part of her career. Jason also reveals his unique post-show ritual, and laments—sort of—the fact that you can’t just simply get drunk anymore and hit people. Enjoy.

    Thanks for listening to the Talkhouse Podcast, and thanks to Jason Williamson and Andrea Arnold for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out Talkhouse.com for all kinds of great written pieces and other podcasts in our network. This episode was produced by Myron Kaplan, and the Talkhouse theme was composed and performed by the Range. See you next time!

    Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠.
    Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more.
    Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.
  • Talkhouse Podcast

    Music Person: Dry Cleaning (Florence Shaw)

    02/04/2026 | 1 h 24 min
    This episode originally aired on March 25, 2026. Subscribe to ⁠⁠Music Person.

    Florence Shaw of Dry Cleaning from South London, England. 

    Florence and Dylan discuss the difficulties of international touring, what your brain feels like on art school, black plastics, wanting to become a horse, reaching an associative songwriting state, and riding the bus as an idea-generating machine.

    + Florence gets something off her chest.

    Artists we mentioned:

    Cate Le Bon, Ryan Davis, Black Midi, bar italia, Jeff Tweedy, Elton John.

    Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠.
    Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more.
    Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

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Su Talkhouse Podcast

Your favorite musicians, filmmakers, and other creative minds one-on-one. No moderator, no script, no typical questions. The Talkhouse Podcast offers unique insights into creative work from all genres and generations. Explore more illuminating shows on the Talkhouse Podcast Network.
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