We all have that one thing we just can’t watch. For me, it’s body horror -- the kind of horror where grotesque and disturbing things happen to someone’s body, like in The Thing, The Fly, or The Substance. There is a long history of body horror as a form of social commentary and special effects showmanship. I respect the artform, but I can’t stomach the art. So I decided to figure out why. I talk with Chioke l’Anson (horror fan and voice of NPR underwriting), author David Huckvale (“Terrors of The Flesh: The Philosophy of Body Horror in Film”) and author Xavier Aldana Reyes (“Contemporary Body Horror”) about how this subgenre taps into fundamental aspects of being human that we often try to put out of our minds. Plus, I speak with listener Lillie Andrick about why some transgender fans, like her, feel a special connection to body horror.
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38:25
Bonus: Syd Mead Full Gallery Tour
Last week, we heard about a new exhibit in New York called Syd Mead: Future Pastime. The exhibit closes on May 21st, and I know most listeners won't be able to see it in person. So in this bonus episode, you can hear the entire tour I got from Elon Solo and William Corman, who organized the exhibit. You can also see some of the images on the Imaginary Worlds Instagram and Facebook pages.
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51:06
The Optimist Behind Blade Runner's Dystopia
The late Syd Mead was a visual futurist who was hired to imagine the worlds of Blade Runner, Tron, Aliens, Elysium and other sci-fi films. His work in Hollywood has been lauded for decades, but there’s a new exhibit in New York that shows a different side of the artist. Syd Mead: Future Pastime is a collection of his personal and commercial paintings, which are all works of science fiction. Despite his connection to the dystopian world of Blade Runner, Mead’s personal vision of the future was unwaveringly optimistic. I talk with Mead’s husband and business partner Roger Servick, and the curators of the exhibit, Elon Solo and William Corman, about Mead’s predictions for the future of technology, sexuality and spirituality. (Image courtesy of Syd Mead Inc.)
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37:34
Blueprints for Utopias
The golden age of sci-fi was filled with utopian visions the future. These days, when sci-fi creators project ahead several decades, the world is looking a lot more dystopian. But there is a group of artists who believe that a better tomorrow is possible if we can imagine it first. Architects are finding that science fiction can be a great way to understand how their buildings will adapt to a rapidly changing world. I talk with architect and Texas Tech professor Jes Deaver about why she thinks sci-fi can inspire her students to not only think outside the literal box, but to have more empathy. Liam Young explains why he created a program at SCI-Arc to train architects who want to work in fictional or virtual worlds. And author Thomas R. Weaver discusses how he enrolled a city planner to build a pitch deck for a colony spaceship, and why floating cities may not be the best solution to climate change.
This episode is sponsored by The Perfect Jean, Audible and Hims.
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40:14
Mary Blair: Coloring Outside the Lines at Disney
In honor of Women’s History Month we’re producing a two-part series about two artists who were visionaries and trailblazers. In part 2, we look at the career of Mary Blair. She changed the way Walt Disney wanted to make animation and brought modernist sophistication to his style. But not everyone at the studio was on board with Walt’s dream to “get Mary in the picture.” I talk with animation historians John Canemaker and Mindy Johnson about the influence of Mary Blair, and how we’ve experienced her work more than we’ve actually seen it. And I talk with author Gabrielle Stecher about the more complicated aspects of Blair’s legacy.
Mindy Johnson’s book is Ink & Paint: The Women of Walt Disney Animation. John Canemaker’s book is Magic Color Flair: The World of Mary Blair. Gabrielle Stecher’s article is “Examining The Legacy of Mary Blair.”
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Imaginary Worlds sounds like what would happen if NPR went to ComicCon and decided that’s all they ever wanted to cover. Host Eric Molinsky spent over a decade working as a public radio reporter and producer, and he uses those skills to create thoughtful, sound-rich episodes about science fiction, fantasy, and other genres of speculative fiction. Every other week, he talks with comic book artists, game designers, novelists, screenwriters, filmmakers, and fans about how they craft their worlds, why we suspend our disbelief, and what happens if the spell is broken. Imaginary worlds may be set on distant planets or parallel dimensions, but they are crafted here on Earth, and they’re always about us and our lived experiences.
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