Jason Suran wants you to know he can’t talk to the dead. Then he will convince you that he can. In Suran’s show,
We all know Godzilla’s iconic roar, but the musician who scored Godzilla's rampages is not as well known. The composer Akira Ifukube’s collaboration with the director Ishiro Honda is fascinating because the two men had different ideas of what Godzilla represented. Honda filmed Godzilla as a monster, but Ifukube saw Godzilla as an anti-hero. Erik Homenick, John DeSentis, and Reiko Yamada explain how this artistic conversation between the music and the visuals added layers of depth that helped turn a monster into an icon.
Ends of Evangelion
One of the most popular anime series just became widely available when Netflix started streaming Neon Genesis Evangelion. The show ran only one year in Japan but more than 20 years later, it’s still creating ripple effects across global pop culture. Evangelion is also infamous for having several different endings -- and a fandom that has a contentious relationship with the series creator Hideaki Anno. Former Crunchyroll editor Nate Ming, Anime Feminist editor Vrai Kaiser, Aaron Clark of Eva Monkey, Washington Post reporter Gene Park, and TV writer Heather Anne Campbell discuss how Evangelion tackled important issues like anxiety, depression, masculinity and sexuality while finding time for kids to get inside giant robots and fight giant aliens.
Actors with Pencils
Walt Disney pioneered the art of hand drawn animation, but it was really his top animators, “The Nine Old Men,” who were responsible for developing the art form. As they used to say, an animator is really an actor with a pencil, and The Nine Old Men were like a theatrical company hiding in plain sight behind some of the iconic characters of all time. Andreas Deja, who animated Scar and Jafar, talks about being trained by The Nine Old Men and the pressure of living up to their legacy. John Canemaker explains why hand drawn feature animation is a lost art in Hollywood, and Jerry Beck sees a renaissance of 2D animation lurking beyond the “live action” Disney remakes.
Movie trailers have come a long way from the voice-of-God narrators in the ‘80s and ‘90s. So why do the big budget sci-fi fantasy trailers still all feel the same? This week, we're featuring a fun episode from the podcast breaks down the elements of blockbuster trailers to the point where you’ll never watch trailers the same way again.