Kreative Kontrol

Rollie Pemberton, a.k.a. Cadence Weapon returns to discuss his new album Forager and his new book of socio-cultural criticism essays, Ways of Listening: Building a Deeper Relationship with Music in the Streaming Era, the parallels between his writing on his album and his book, his renewed interest in crate digging for records and thrifting for great clothes, resisting passive cultural consumption during the age of the algorithm, the Juno Awards, Drake, and Canada’s confidence conundrum, being both the “Black Ian Curtis” and the “Black Bryan Ferry,” working with producer Junia-T and live musicians to rediscover his love of hip-hop and rapping, special Forager market events, other future plans, and much more.

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Related episodes/links:

Win a Gord Downie Vinyl Bundle in April 2026!
Ep. #1071: Buck 65
Ep. #1033: Shad
Ep. #1004: Liz Pelly
Ep. #859: Raymond Biesinger
Ep. #858: Cadence Weapon
Ep. #813: Marc Masters
Ep. #770: Adam Horovitz from Beastie Boys
Ep. #698: Rollie Pemberton
Ep. #638: DijahSB
Ep. #610: Cadence Weapon
Ep. #375: Cadence Weapon
Ep. #370: Cadence Weapon, Aliya Pabani, Emma Hunter, and Miguel Rivas on Long Night
Ep. #256: Daniel Romano
Ep. #189: Raekwon
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David Fuller, Niko Kapetan, Bailey Minzenberger, and Korgan Robb from Friko are here to discuss their new album, Something Worth Waiting For, the state of Illinois and dystopian literature, bonding in a high school music theory class, loving noise-infused pop bands like Pavement, the Breeders, and, from Liverpool, England, the Beatles, inspiration from local bands like Smut and the Felix Culpa, the story of Friko, articulating Niko’s songwriting talents as though he is not on this call with us, why numbers seem to be invoked so often on this album, why they worked with producer John Congleton and what makes him such a great “coach,” tour dates, other future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!

Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Win a Gord Downie Vinyl Bundle in April 2026!
Ep. #1075: Bill Frisell
All Things Konsidered: The Beatles Anthology
Ep. #986: John Congleton
Ep. #984: Lifeguard
Ep. #951: Mark Ibold, Scott Kannberg, Jeffrey Lewis Clark, Jed I. Rosenberg & Brian Thalken on ‘Louder Than You Think: A Lo-Fi History of Gary Young and Pavement’
Ep. #933: Alex Ross Perry, Scott Kannberg, and Robert Greene on ‘Pavements’
Ep. #924: Lance Bangs and Bob Nastanovich on ‘Pavements’
Ep. #910: The Hard Quartet
Ep. #806: The Breeders
Ep. #677: Pavement
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Mike Belitsky and Travis Good from the Sadies and Dave ‘Billy Ray’ Koster are here to discuss Live at 6 O’Clock by Gord Downie, The Sadies, and the Conquering Sun, Billy’s long and all-encompassing tenure in the working lives of Downie and the Tragically Hip as a technical director and confidante, how the Sadies and Downie connected and why he was so fond of playing with them, a look back at Downie’s first solo album Coke Machine Glow and him asking Travis to play on it, Downie’s deep love for artists like Fucked Up and Daniel Romano, insights about this collaboration and what the late Gord Downie and Dallas Good may have felt about it, when Downie planned to run the stage light show himself, poignant reasons for picking songs about ghosts and sadness for this live record primarily consisting of songs by other artists, further insights into how the Tragically Hip viewed Downie’s work outside of the band, Downie’s penchant for incorporating conversations and experiences he shared with Billy into his lyrics, the story behind “Introduce Yerself,” whether we may hear more unreleased music by Downie and the potential for Sadie to make a new album, upcoming tour dates, other future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!

Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Win a Gord Downie Vinyl Bundle in April 2026!
Ep. #1085: Richard Reed Parry
Ep. #1083: Rheostatics
Ep. #1082: Joe Pernice
Ep. #1071: Buck 65
Ep. #971: Change of Heart
Ep. #892: Fucked Up
Ep. #889: Rick White and The Sadies
Ep. #880: Guided By Voices
Ep. #842: Daniel Romano’s Outfit
Ep. #821: Kurt Vile
Ep. #744: Don Pyle
Ep. #590: Bob Young
Ep. #496: Iggy Pop
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Richard Reed Parry returns to discuss Were “The Watchtowers” by Dallas Good + Richard Reed Parry, his Skybarn recording studio, being a new dad and adjusting to life off the road, how he first got to know Dallas after they were randomly chosen to participate in a Dawson City Music Festival collaborative workshop, a shared love of the Everly Brothers and other key artists and records, instant friend crushes and a yearning to collaborate on music, how they wrote lyrics together in a shared, outdated daytimer, insights about how vocals and other recordings of Dallas were used posthumously, how the sessions for Colder Streams by the Sadies and the Watchtowers informed each other, a unique contribution by Neko Case and making an album with songs about the tragic loss of one of the creators of that same album, why it’s a Record Store Day exclusive, news about Richard’s other bands and pursuits, other future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!

Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Win a Gord Downie Vinyl Bundle in April 2026!
Ep. #1082: Joe Pernice
Ep. #1049: Rebecca Foon and Aliayta Foon-Dancoes
Ep. #889: Rick White and The Sadies
Ep. #857: Michael Feuerstack
Ep. #815: Geordie Gordon
Ep. #805: La Force
Ep. #703: The Sadies
Ep. #669: Dallas Good Remembered
Ep. #485: Richard Reed Parry
Ep. #191: Buffy Sainte-Marie
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Janel Leppin returns to discuss her new solo album Slowly Melting and Pluto in Aquarius by Janel Leppin's Ensemble Volcanic Ash, her ability to compartmentalize her visual art impulses from her musical ones, why she frequently releases more than one album on the same day, how Susan Alcorn and David Lynch remain constant inspirations, an eye-opening Mdou Moctar tour, making protest jazz music in a politically volatile time, her compelling and dynamic use of the cello as a lead instrument in jazz expressions, her tribute to Deerhoof, why she employs fuzz and distortion, loving pedals and naming songs after different ones, upcoming shows, another new record, other future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!

Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Win a Gord Downie Vinyl Bundle in April 2026!
Ep. #1069: The Messthetics and James Brandon Lewis
All Things Konsidered: The Beatles Anthology
Ep. #1003: Marissa Nadler
Ep. #975: Deerhoof
Ep. #919: Oren Ambarchi
Ep. #887: Janel and Anthony
Ep. #874: Mdou Moctar
Support this show http://supporter.acast.com/kreative-kontrol.
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