We’re pleased to announce that “In The Dark,” the acclaimed investigative podcast from American Public Media, is joining The New Yorker and Condé Nast Entertainment. In its first two seasons, “In The Dark,” hosted by the reporter Madeleine Baran, has taken a close look at the criminal-justice system in America. The first season examined the abduction and murder, in 1989, of eleven-year-old Jacob Wetterling, and exposed devastating failures on the part of law enforcement. The second season focussed on Curtis Flowers, a Black man from Winona, Mississippi, who was tried six times for the same crime. When the show’s reporters began looking into the case, Flowers was on death row. After their reporting, the Supreme Court reversed Flowers’s conviction. Today, he is a free man.  A third season of “In The Dark,” which will be the show’s most ambitious one yet, is on its way. David Remnick recently sat down with Baran and the show’s managing producer, Samara Freemark, to talk about the remarkable first two seasons of the show, and what to expect in the future. To listen to the entirety of the “In The Dark” catalogue, subscribe wherever you get your podcasts.

Claire-Louise Bennett joins Deborah Treisman to read and discuss “Family Walls,” by Maeve Brennan, which was published in The New Yorker in 1973. Bennett has published two books of fiction, “Pond” and “Checkout 19.”

Clare Sestanovich joins Deborah Treisman to read and discuss “The Moons of Jupiter” by Alice Munro, which was published in The New Yorker in 1978. Sestanovich’s story collection, “Objects of Desire,” was published in 2021.

Gary Shteyngart joins Deborah Treisman to read and discuss “Omakase,” by Weike Wang, which was published in *The New Yorker* in 2018. Shteyngart is the author of five novels including, most recently, “Lake Success” and “Our Country Friends.” 

Ling Ma joins Deborah Treisman to read and discuss “Seeing Ershadi,” by Nicole Krauss, which was published in The New Yorker in 2018. Ma is the author of the novel “Severance” and the story collection “Bliss Montage,” which came out in September.